Film Review:

1917

 

The madness and futility of the First World War has been the inspiration for many fine films, beginning in 1930 with Lewis Milestone’s version of the Erich Maria Remarque novel, ‘All Quiet on the Western Front’, which was a daring story for its time, in that it showed the horrors of war from the perspective of German infantrymen.

In Sam Mendes’s ‘1917’, it is the British with whom we sympathise, but in other ways, the themes are similar - incompetent and ego-driven officers, and troops who are treated as cannon fodder. Mendes, however, also gives us officers doing their best in impossible circumstances.

This film is based on a story told to Mendes by his grandfather, Alfred, to whom the film is dedicated. In that respect, it is a very personal project.

But what makes ‘1917’ unique is the way it is filmed as a continuous shot or, at least, the illusion of one. We literally follow the two lance corporals, Blake (Dean-Charles Chapman) and Schofield (George MacKay), on their mission to cross no man’s land and reach the Devonshire battalion in order to warn the colonel that they are heading into a German trap and they should call off their attack. For Corporal Blake, this mission is deeply personal – his brother is a lieutenant with the Devons.

We follow Blake and Schofield as they weave their way through the British trenches and then cross the battlefield, avoiding bomb craters filled with water and rotting bodies. Eventually they reach the abandoned German trenches, where a nasty surprise awaits them.

There are heart-stopping incidents along the way, as well as a poignant encounter with a young French woman who is caring for an orphaned baby, a scene which reminds us humanity can exist in the hell that is the Western Front. Possibly the most moving moment of the entire film is the scene involving the hymn ‘Poor Wayfaring Stranger’. It brought tears to my eyes.

‘1917’ does not have leading men in the traditional sense. The two protagonists are little known* actors; their very anonymity makes the viewer’s identification with them much stronger. There are some ‘name’ actors in the film – an almost unrecognisable Colin Firth as the general who sends the boys on their mission, Andrew Scott (Moriarty from ‘Sherlock’) as a world-weary lieutenant who couldn’t give a damn, and the ubiquitous Benedict Cumberbatch in a brief but nuanced performance as the frazzled colonel in charge of the Devons.

‘1917’ is a moving story of the horrors of war. It has already won a Golden Globe for Best Drama and you can expect an Academy Award to follow for the film and its director.


*George MacKay plays a tortured Ned Kelly in 'The True History of Ned Kelly' (2019)  alongside Essie Davis and Russell Crowe.

Deborah O’Brien

26 January 2020

 


 

fbook icon 60Country Ways

DOB MCE 19

What’s so great about living in the country, people ask me? The nineteenth-century poet, William Cowper said it all in his famous line: “God made the country, and man made the town”.

Here are some of the things that make country life special for me:

  • Sheep bleating at night (in the city it’s police sirens)
  • Frogs mumbling to each other in the creek
  • Flocks of black cockatoos before a rain shower (you can’t get angry at them, even when they’ve littered your lawn with pine-cones and branches)
  • A lone bustard (Australian stork) patiently watching for prey among the reeds
  • A wallaby doing an elegant jump over a barbed-wire fence
  • Newborn lambs and calves at the end of winter
  • Tiny frogs as small as leaves
  • A baby wombat on the door step late at night
  • Church bells on a Sunday morning
  • A front-page story in the local newspaper about a lost teddy bear, complete with photo.
  • A mayoral election where the councillors’ votes have resulted in a tie, so they draw a name out of a hat
  • And people who smile and say hello when they pass you in the street, whether they know you or not

Deborah O’Brien

PC034331


DOB MCE 15




Subcategories

Home in the Highlands blogs